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Detailed introduction: "Xining State House" presents Cai Mingliang's retrospective gaze on early social houses, purely recording the passing social scenes and urban rumors through images, and also looking back at the traces of time in early works such as "The Corner of the World" and "The Cave". What are the thoughts of the hundreds of households still living in Xining's state-owned housing, which is facing demolition? How do you feel? Is it giving up or not giving up? As a visual creator with some connections to the Xining national mansion, Cai Mingliang just wants to take a good look at her again.
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